selected works
Frank Bowling has created six new works specially for this exhibition, responding to the Garden Museum’s medieval church architecture and stained-glass windows. Revisiting his 1980s Cathedral Paintings series at a larger scale, the new works will be displayed within the arches of the museum’s central Nave, incorporating fabric and found materials embedded structurally into towering canvases.
Bowling developed this new body of work after passing the Garden Museum every day while travelling to his studio in Peacock Yard, Elephant and Castle. Alongside this series, the exhibition will feature a selection of Bowling’s abstract flower paintings, and archival photographs and material relating to his childhood in Guyana.
Like Bowling, Dennis de Caires’ work is shaped by an engagement with Guyana, memory and artistic exchange, though each artist’s approach to material and form remains distinct. Recent paintings by de Caires explore the blurring of interior and exterior living in the Caribbean compared to the UK. In imagined still lifes set within interior scenes, the natural forms of flowers and fruit are set against geometric patterns, stencilled forms, and complex colour and spatial relationships.
Both artists were born in Guyana and attended the Royal College of Art in London. They met in 1982 when Bowling was invited to teach at Winchester School of Art, where de Caires was a student. This will be their third exhibition together, following shows in Guyana in 1989 and Wales in 2012, bringing together new and recent paintings alongside works borrowed from their 1989 show.
Born in British Guiana (now Guyana) in 1934, Sir Frank Bowling OBE RA (left) graduated from the Royal College of Art in 1962. Moving to New York in 1966, Bowling made a conscious commitment to modernism in turning to abstraction. His focus on material process and colour is discernible in his ‘Map’, ‘Pour’ and ‘Zipper’ series. In 2005, Bowling was elected a Royal Academician. He received a Knighthood in 2020, was awarded the Wolfgang Hahn Prize in 2022 and the J.M. Barrie Award for outstanding contribution to children’s arts education in 2024.
Notable presentations exhibitions include the 2017-19 touring exhibition Mappa Mundi, which opened at Haus der Kunst in Munich; a critically acclaimed retrospective at Tate Britain in 2019; and Frank Bowling: Americas, which travelled from MFA Boston to SFMoMA in 2022-23. Bowling’s work is held in over fifty public collections worldwide, including Tate, the V&A, The Metropolitan Museum of Art and the Museum of Modern Art, New York. Working in the studio every day, his mastery of paint continues to break new ground, driven by an enduring reinvention of the painted plane.
Dennis de Caires (right) was born in Georgetown, Guyana in 1957 and emigrated with his family to England in 1970. He studied painting at Winchester School of Art and The Royal College of Art in London, with a term at Cite Des Arts Internationale in Paris.
He has exhibited widely since graduation in both public and private galleries. His most recent exhibitions include Wuh Part You Is at The Barbados Museum and Historical Society and Songs Without Words at The Brighton Storeroom, Barbados. Other notable one-person exhibitions include Paintings For Georgetown at The National Gallery in Guyana and Rasterising Generics at The Boulder Museum of Contemporary Art, Colorado.
He is known for his high-key colour palette and for the affirmative nature of his paintings. His work takes a long time to complete and, though subject matter is ostensibly still life or interior, his paintings have an intensely independent character.