24 Oct 2018 - 3 Feb 2019

On the bicentenary of Humphry Repton’s death, this exhibition celebrated his rare and beautiful Red Books and charted his career through watercolours and manuscripts, many never publicly displayed before.
Twenty-four Red Books—so named for their red leather bindings—were reunited, the largest gathering in 25 years. Devised as ingenious marketing tools, each book showed a client’s garden “as is” in delicate watercolour, then revealed, via lift-the-flap overlays, Repton’s proposed design: trees rose or fell, streams became lakes, farms became parks, and, in the Sundridge Park Red Book, a house was replaced with a grander manor. Repton interspersed images with conversational notes recalling walks with owners, mixing compliments with criticism of predecessors. The exhibition also explored his late start in landscape design at 36, and his continued practice after a carriage accident left him using a wheelchair.

Loans came from public and private collections worldwide, including Royal Collection Trust, the British Library, Royal Academy of Arts, and The Oak Spring Garden Foundation. A specially commissioned digital animation of Armley (Leeds) allowed visitors to step inside a Repton garden. Curated by Stephen Daniels, Professor Emeritus at the University of Nottingham.